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Bob Dylan’s “To Be Alone With You”: Composition, Nashville Skyline Recording, Influences, and Shadow Kingdom Reinterpretation

Coverage from various publications

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Bob Dylan’s “To Be Alone With You”: Composition, Nashville Skyline Recording, Influences, and Shadow Kingdom Reinterpretation topic image

A focused subject concerning Bob Dylan’s song “To Be Alone With You,” including its composition, lyrical and musical source material, country-music orientation, and recording for the 1969 album Nashville Skyline.

The Topic also includes the song’s intended or claimed connection with Jerry Lee Lewis, its relationship to Dylan’s broader engagement with country and popular music, and later critical interpretations that give the song a darker or more layered significance. It extends to comparison of the original Nashville Skyline recording with Dylan’s later reworking in the film Shadow Kingdom, while remaining specific to this song rather than encompassing Dylan’s dream-titled, allusive, or country-oriented songs generally.

Additional Articles

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To Be Alone With You (1969) Part 2
In February 1969 at Columbia Studio in Nashville, Bob Dylan recorded To Be Alone With You while Jerry Lee Lewis tracked She Still Comes Around next door.
To Be Alone With You (1969) Part 6 (Final) Analysis
Bob Dylan's 1969 Nashville Skyline recording of 'To Be Alone With You' is compared with its 2021 Shadow Kingdom performance, tracing lyrical influence to 'Penthouse Serenade' and Ovid in a UK analysis.

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To Be Alone With You (1969) Part 1
Bob Dylan began Nashville Skyline sessions on Feb 13, 1969 in Nashville, recording To Be Alone With You with Charlie McCoy, Wayne Moss and Kenny Buttrey.
To Be Alone With You (1969) Part 4 Analysis
On bob-dylan.org.uk, the article analyzes Frankie Valli's song-selection approach and Bob Dylan's late-period songs, including Dylan's 2021 revision of "To Be Alone With You."