Robert Polito Reframes Dylan’s Late Career
Coverage from The Metropolitan Review, Daily Herald, and others

The topic centers on Robert Polito’s After the Flood, which argues that Bob Dylan’s work from the 1990s onward deserves comparison with his early career rather than being treated as a decline.
The discussion emphasizes deliberate revision, archival research, and the recombination of musical, literary, historical, and religious sources across albums such as Time Out of Mind, Love and Theft, Modern Times, and Rough and Rowdy Ways. Dylan’s Tulsa archive and related publications provide evidence about this process, while criticism remains divided over how specific or unified interpretations of the later work should be.
The framing has sharpened from a general reassessment of Dylan’s later career into a more specific archival and textual argument centered on how late-period songs were assembled. The current version also adds a new angle: public archive access through Mixing Up the Medicine, while emphasizing that it still cannot replace direct archival research.
The updated version sharpens the framing around Dylan’s late career by centering specific albums and making the interpretive dispute more explicit. It also adds named critics and clarifies that the archive evidence is now tied directly to the Tulsa material.
